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Instructions are simple…. email your mailing address to stickers[at]evan-roth.com When the stickers arrive in the mail put them up in a location that you find appropriate, take a picture and email him back the photo to the same email address. All photos will be added to a loop on display in the gallery for the length of the exhibition. If you are in NYC you can pick up free stickers at the gallery after Nov. 5th (location listed below), or you can make your own with any of the the following files ( .pdf | .png | .eps | .ai ).
email - stickers[at]evan-roth.com
The Elizabeth Foundation for the Arts
323 West 39th St., 2nd Floor
NY, New York 10018
November 5 - December 19
Saturday, November 7
The folks at Metaspark were kind enough to give you an inside edge on your iPhone UX development. Yay! Thanks dudes!
from their site
While designing Notespark, we did a lot of UI mockups. As it turns out, I prefer using Fireworks for this kind of work over Photoshop, because it’s easier to manipulate objects on the screen. After doing some Google searching, it appeared there weren’t any good templates for doing iPhone mockups, so we built our own. The file is pretty complete now, so we’re sharing it with the rest of the world. We started out with a combination of bitmaps and vectors, but we found that vectors were easier to edit, so every single item has been redrawn as a vector [*], which should make it easier to edit to your heart’s content.
Kudos to Metaspark for this one. Enjoi!
from the site:A 60 rpm (revolutions per minute) motor drives the entire mechanism. It rotates once every second. The following pulley rotates once every 5 seconds (1:5 ratio). The next rotates once every 60 seconds or 1 minute. Then 5 minutes, 1 hour, 1 day, 1 month, 1 year, and 1 decade. The decade wheel carries the load of the large arc. The large arc rotates once every century. The final ratio between the 60 rpm motor and the large arc is approximately 1:31.6 billion.
Each wheel is marked with a black nut to highlight a position that could be tracked over time. Along the arc, 100 lines mark the divisions of each passing year. When the clock finally reaches the end of a 100 year cycle, the arc falls off its track onto the floor.
These necklaces, by Mike and Maaike, were created when the design team, who google searched for the most famous jewelry in the world, came up with a bunch of low-res images that caught their eye. They then stole, doctored, and transfered these images onto leather, creating their own “priceless” creations. The result is an intense visual experience, and while the intricacy of the jewels are gone, the effect is not lost.
Meet the “clickable” dress.
Nadya Peek, an MIT Media Lab student, created a unique interactive dress to close the gap between our presents in the physical and virtual world. Her project Caché aims to bring interactivity, a virtual poke into the physical presents via clothing.
And it’s awesome.
But how cool would it be if you rigged up a lil’ arduino in there and automatically posted a Tweet or a “Poke” to the person on Spacebook or MyFace just by touching them. Ok, now I’m just crazy. Enjoi!
Meet Tweenbots - A nerdy and fun project of an ITP student in NYC. Tweenbots are human-dependent robots that navigate the city with the help of pedestrians they encounter. Rolling at a constant speed, in a straight line, Tweenbots have a destination displayed on a flag, and rely on people they meet to read this flag and to aim them in the right direction to reach their goal.
from the site:
In New York, we are very occupied with getting from one place to another. I wondered: could a human-like object traverse sidewalks and streets along with us, and in so doing, create a narrative about our relationship to space and our willingness to interact with what we find in it? More importantly, how could our actions be seen within a larger context of human connection that emerges from the complexity of the city itself? To answer these questions, I built robots.<p>
Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.
The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”
The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.
for a sneak peek at more robots (coming soon) look here.
Tape, tape, tape….. what to do with all those random roles of tape hiding round your office and in your home? Why not Tape 4 Fun and plaster it all over your (friend’s) wall?!
See more T4F goodness here.
about Shantell Martin:
Since graduating from London’s Central Saint Martins University of Art & Design with first class honors in graphic design and illustration in 2003, Shantell Martin has been expanding conventional definitions of drawing, using it as a base from which to storm and occupy the design, fashion and music scenes. Now based between Tokyo and New York, Martin has been a much sought-after resident and guest VJ at some of the city’s most experimental club nights and has collaborated with some of the best-known names in the fashion and music industry.
Like her drawings, Martin herself seems to be in an unstoppable state of constant and conscious movement: by turn illustrator, designer, VJ, artist, videographer and more, each persona is linked by the common thread of her trademark continuous-line style, each project a further entanglement of disciplines and an exploratory step into a new world the artist creates as she moves through it.
Dear Squidder, you win.
why, you ask?
The genius flash-in-the-pants and optical-recognition lovers that go by the name Squidder have been showing off two new systems that tie augmented reality into Twitter. Their first project is a t-shirt with a FLAR barcode that, when recognized by a webcam-enabled computer, pulls up the encoded Twitter username and displays their latest tweet as a video overlay. Rediculious. (That means awesome, Mom.)
Augmented Reality T-Shirts:
(Please visit here for more info on the Augmented Reality Shirt Project.)
The second task, meanwhile, is cutting out the barcode and having the system recognize users by face. Redonkulous. (Even more awesomer than rediculous.)
Facial Recognition meets Twitter:
(Please visit here for more info on the Augmented Reality Shirt Project.)
Hokay soh, the facial-recognition system isn’t totally working; it currently doesn’t actually recognize individual users, just any face moving into frame. However software that can do that is already out there, and merely requires some more time and effort pulling everything together.
Of course, Twitter is just one source of information; Squidder is also suggesting that the system could call up a Facebook profile, or in fact just about anything.
Is it all getting all Minority Report in here?
[via Official UK LG blog]
Been to The Galactica yet? It’s a hand curated list of the best of the best images that Flickr has to offer. Fun!
from the site:
Photography is Amazing. Flickr is Revolutionary. Beautiful things make the world go around. What I try to do here is gather a collection of my favorite images from a collection of very smart, very talented photographers within the flickr community and compile them for you to take in with keen eyes and open breath. Please enjoi.
The Galactic is curated by Benny Campa.
quick! drag this button into your toolbar:
→ quietube ←
Meet Quietube: Online video without the distractions. This little app lets you watch web videos without the comments and crap, just by dragging the button above into your browser’s bookmarks toolbar. Once you have it up there, head over to YouTube, Viddler, or Vimeo, and find your favorite clip. Once the clip starts loading - just his your new bookmark button “Quietube” in your toolbar and view in peace.
OH! and you can then make short URLs too, to send the quietube version of the video to your friends (instead of the one on YouTube that is full of bullshit, and totally mean comments.) They hurt. They really do. :)
Soap. The shape and design of an XBox Controller. Yes, now even your grubby, non-showering brother has a chance getting laid. Get yours here.
from the site:
The Xbox soap weighs seven ounces and has raised buttons. This one comes with the added addition of colors, so it looks even more realistic than the others.
Despite its weight of 7 ounces, it fits well in the hands…unlike the original Xbox controllers.
Made with great quality shea butter/glycerin soap.
Scented with Mountain Dew fragrance oil, a gamer’s best scent.
· Coconut Oil
· Shea Butter
· Palm Oil
· Castor Oil
· Safflower Oil
· Glycerin (kosher, of vegetable origin)
· Purified Water
· Sodium Hydroxide (saponifying agent)
· Sorbitol (moisturizer)
· Sorbitan Oleate (emulsifier)
· Soy Bean Protein (conditioner)
· Titanium Dioxide (mineral whitener used in opaque soaps)
· Fragrance and color
Holy shit balls, finally!
Get out your pretty mobile and txt “ajello” to 50500 (no quotes) to see what I mean.
BAM! Introducing Contxts, a new service from ID345, a Denver-based idea company. It’s quite simple: you program what you want your business card to say on the website, and then tell people to text your user ID to 50500, or you can send it to them. Could it be any easier than that?
Several companies have attempted to solve the problem of paper business cards for some time, but Contxts takes the cake IMHO. You can even use the service without ever visiting the website. Just text “JOIN firstname lastname email” to 50500 and then when anyone texts your number to 50500, they will get your name and email address.
But this post isn’t about that. It seems there is another company rushing to the DNA documentation business, but this time - as an Art Form. That’s right. Apparently your DNA is beautiful and you can hang a snap of it in your room. Check out DNA-DX.
from the site:
DNA-DX has fused science and art to bring you GenePortraits. These dazzling paintings are the most beautiful and modern Canvas representations of the most important person you know, You.
the process is simple:1. Customise your GenePortrait through our website
2. Send us your DNA sample using our ‘painless cheek swab’ sampling kit
3. Await your masterpeice